The article discusses the experience of watching Wes Anderson's latest film, 'The Phoenician Scheme,' as if it were the viewer's first encounter with his work. It reflects on the tendency to evaluate Anderson's movies in relation to his overall career, with audiences often ranking and comparing them. While some criticize his distinctive style as emotionally distant, recent films like 'The Grand Budapest Hotel' demonstrate his ability to fuse humor with serious themes. The article emphasizes the subjective nature of audiences' reactions to Anderson's films, depending on personal tastes and expectations.
If this were the first Wes Anderson movie I had ever seen, it would be a unique experience free from contextual references to his previous features.
Anderson's films invite listing and ranking, with each movie resembling a meticulously crafted toy that some viewers find trivial.
His recent artistic breakthrough stems from engaging with real-life historical tragedies while maintaining his signature hyperfastidious style that some view as emotionally sealed.
'The Grand Budapest Hotel' showcases a delicate balance between humor and profound sorrow, revealing Anderson's ability to tackle serious themes within his unique visual design.
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