"The film opens in a lonely prison cell, home to the elderly former yakuza Akutsu. Now on his deathbed, he finds an unexpected confidant in a talking balsam flower."
"Though encompassing much bloodshed and even a hidden treasure subplot, The Last Blossom is most moving as an exploration of human conscience, where a capacity for violence and kindness coexist."
"The paradox is reminiscent of Shohei Imamura's Palme d'Or winner The Eel, starring Koji Yakusho as a wife-murderer who shelters a pregnant woman after his prison release."
The Last Blossom features Akutsu, an elderly ex-yakuza on his deathbed, who converses with a talking balsam flower. His life story unfolds over a sleepless night, revealing his past with Nana and her son, Kensuke. Their relationship hints at romance amidst a platonic bond. When Kensuke's heart condition leads Akutsu into a criminal plot, he faces incarceration. The film examines the coexistence of violence and kindness, questioning justice and the complexity of human conscience, reminiscent of Shohei Imamura's works.
Read at www.theguardian.com
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