The fourth volume of Love Death & Robots showcases adventurous animation, starting with the marionette-style representation of the Red Hot Chili Peppers in the short 'Can't Stop,' which was entirely computer-generated. This season features sequels to prior shorts, like a cyberpunk segment connected to 'Swarm' and an innovative diorama approach in 'Night of the Mini Dead.' New concepts are also introduced, such as Tim Miller's 'Golgotha,' which merges live-action photography with animation, setting a priest against an alien backdrop, emphasizing the breadth of creativity in this anthology series.
The animated anthology series has always pushed the limits of what was possible with animation, from hyper-realistic CGI to ultra-stylized 2D images, all under the careful guidance of creator Tim Miller.
It's all CG, it's all computer-generated, but we lean heavily on the established way that puppets can move, and we tried to emulate that wherever possible.
Love Death & Robots Volume 4 contains a number of sequels and follow-ups to previous shorts, including a cyberpunk short set in the universe of Volume 3's 'Swarm'.
Tim Miller's own short that utilizes a rare medium for the series: live-action photography, stars Our Flag Means Death's Rhys Darby as an unassuming priest sent to make contact with an alien species.
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