The article discusses the critical reception of Sinner's box office performance and the biases involved, suggesting that films by white directors don't receive similar scrutiny. It contrasts this fixation on profitability with the quieter success of In a Violent Nature, a horror film that thrived despite a modest budget. Noted for its innovative storytelling and high gore, it's suggested that director Chris Nash's unique approach redefines genre expectations. The piece underscores how Hollywood's obsession with box office numbers may overshadow the creation of quality cinema.
In a Violent Nature is not for everybody; it assumes a deep familiarity with genre staples and a high tolerance for gore, making it a niche film.
As a society, we've never been more obsessed with profitability in movies, raising concerns about the decline of genuinely good cinema amid intense box office scrutiny.
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