"In a place that has seen all of its systems destroyed to the point that it is being controlled by its former adversary on one said and remnants of the Nazi party on the other, what role does a man who preaches the importance of Art have? Does culture matter to th"
A Nobel Prize-winning writer, Thomas Mann, is invited to events in post-WWII Germany in 1949, prompting questions about family, reputation, and national identity after fleeing in 1933. A one-shot opening phone call from his son outlines themes that follow through the story. Thomas and his daughter Erica travel from Frankfurt in the American-controlled West to Weimar in the East, with the film divided into two corresponding halves. Press interactions raise doubts about whether Mann is a hero or a betrayer. The narrative also weighs the relevance of art and intellectualism in a country still in rubble, shaped by American power and remnants of Nazi influence.
Read at Roger Ebert
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