Nadav Lapid's film 'Yes,' showcased at the Cannes Directors' Fortnight, tackles the turbulent backdrop of war through the journey of an artist named Y. The film begins with humor and excess before revealing the harsh realities of conflict intruding on daily life. Lapid's narrative evolves post the October 7 attacks, reflecting a shift in focus from a materialistic lifestyle to an urgency about artistic expression amidst tragedy. The film's structure consists of loosely connected scenes that juxtapose the personal and the political, culminating in a poignant commentary on art's relationship to violence.
"Nothing in this film was reasonable. Nothing in this film was normal..." Lapid praised his collaborators for their commitment to the film's vision, emphasizing an unapologetic perspective on art amidst conflict.
In the film, Y. and his wife, Yasmine, live a luxurious life, which is constantly interrupted by the harsh realities of war, revealing a tension between indulgence and responsibility.
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