In Dea Kulumbegashvili's film 'April,' the narrative delves into the brutal experiences surrounding childbirth and abortion in a harsh landscape. Through the story of Nina, who faces severe judgment for her actions, the film highlights themes of trauma and isolation in a world steeped in misogyny. Cinematographer Arseni Khachaturan expertly navigates the emotional landscape, contrasting Nina's solitary moments with the scrutiny of men. The unsettling imagery, including a faceless figure, leaves audiences questioning identity and the weight of unacknowledged suffering, solidifying Kulumbegashvili's position as a crucial European filmmaker.
In April, even howls of pain go unuttered, and only the storm cloud skies cry.
Cinematographer Arseni Khachaturan, trading objective and subjective perspectives, toggles between images of Nina alone - driving at night, looking for a sexual partner - or crowded by men.
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