"In April, even howls of pain go unuttered, and only the storm cloud skies cry."
"Cinematographer Arseni Khachaturan, trading objective and subjective perspectives, toggles between images of Nina alone - driving at night, looking for a sexual partner - or crowded by men."
In Dea Kulumbegashvili's film 'April,' the narrative delves into the brutal experiences surrounding childbirth and abortion in a harsh landscape. Through the story of Nina, who faces severe judgment for her actions, the film highlights themes of trauma and isolation in a world steeped in misogyny. Cinematographer Arseni Khachaturan expertly navigates the emotional landscape, contrasting Nina's solitary moments with the scrutiny of men. The unsettling imagery, including a faceless figure, leaves audiences questioning identity and the weight of unacknowledged suffering, solidifying Kulumbegashvili's position as a crucial European filmmaker.
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