Daniel Savage on the irony of using a robot to make something that feels more human
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Daniel Savage on the irony of using a robot to make something that feels more human
"Daniel Savage walked us through some of the material experimentations that led to the development of his distinct animation style. The designer demonstrated how his use of the pen plotter as more of a printmaking process has allowed his animations to become more than just films, shaping editorial illustration commissions for The New York Times as well as his new artist book Something Savage, published by Vitra editions."
Daniel Savage, a multidisciplinary artist and animator, presented his material experimentations and animation methodology at a New York Nicer Tuesdays event. His distinctive animation style emerges from treating the pen plotter as a printmaking tool rather than a conventional animation device. This approach has expanded his work beyond traditional film formats, enabling him to secure editorial illustration commissions with The New York Times and develop his artist book Something Savage, published by Vitra editions. His experimental process demonstrates how unconventional tool usage can create unique artistic outcomes across multiple mediums.
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