Why One Battle After Another should win Best Picture
Briefly

Why One Battle After Another should win Best Picture
"The story of a washed up revolutionary (Leonardo DiCaprio) on the run with his disbelieving daughter (Chase Infiniti), it reveals itself in parts like a magician's endless string of handkerchiefs, subplots of wildly different tones knotted together by Paul Thomas Anderson's cinematic sensibility - and the manic score of Jonny Greenwood."
"Really, it's a minor miracle that financing came through for a film so expensive and odd (its secret society of white supremacists is Christmas-themed, with its members greeting one another with a "Hail, St Nick!"). One Battle After Another cost a reported $130m, a steep ask for an auteur like Anderson who, despite having a devout following of his own, is no Christopher Nolan when it comes to box office pull."
"And while the bookies have got it down as the safe bet this weekend, don't be fooled into thinking One Battle After Another is a film that ever plays it safe. In fact, its mood is so disparate and shifting that it's impossible to pin down exactly what the movie even is: a father-daughter epic, a political satire, a screwball comedy, an action thriller?"
One Battle After Another follows a washed-up revolutionary played by Leonardo DiCaprio on the run with his skeptical daughter, portrayed by Chase Infiniti. The film defies easy categorization, blending elements of father-daughter epic, political satire, screwball comedy, and action thriller into a cohesive whole. Directed by Paul Thomas Anderson with a score by Jonny Greenwood, the film features an unconventional plot involving a Christmas-themed white supremacist secret society. Despite its $130 million budget and unconventional premise, the film secured financing largely due to DiCaprio's star power and bankability. The action sequences, filmed on location throughout California, deliver thrilling cinematic moments that justify the substantial production investment.
Read at The Independent
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