"She is trapped in a bleak job, in a bleak relationship and in a bleak house. The bleakest element of this trifecta of bleakness is the relationship: she is involved with the utterly unlovely Frank (Shane McCormick) who, as one character observes, is the sort of guy who throws his entire life away then lashes out in every direction, blaming everyone but himself for how things have turned out."
"Their dynamic is an abusive one, and in modern therapeutic parlance, they share the trauma bond of unstable, abusive childhoods. It's not that Raye doesn't know Frank's no good; it's that she doesn't believe she deserves better, or that better exists. While Trapped's poster art promises some sort of Captivity-style torture porn slasher horror, it may be interesting to know that the film was originally called Beneath the Silence, a title that gestures towards more serious dramatic aspirations."
Raye endures a bleak job, bleak house, and a bleak, abusive relationship with Frank, whose self-destructive anger and blame define their dynamic. The relationship is framed as rooted in trauma bonding from unstable, abusive childhoods. Raye understands Frank's faults but believes she does not deserve or could not find something better. The project was originally titled Beneath the Silence, signalling dramatic aims despite marketing that suggests slasher horror. The depiction of abuse is notably sophisticated, but limited production values, uneven performances, expository scripting, and crude craft frequently undermine the film's impact, with occasional sharp dialogue offering brief relief.
Read at www.theguardian.com
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