"That is not a slight against Craig, whose '90s-boy-band bangs and Foghorn Leghorn accent make private detective Benoit Blanc a delightful iconoclast. It's praise for the way this latest Knives Out shakes off the franchise's winking timeliness and instead embraces a timeless foe: asshole Christians - those who use their pulpits to attack all whose faith doesn't quite align with their own;"
"There's an insular group of people (in , they were neoliberals obsessed with inheriting Daddy's money; in Glass Onion, they were sellouts indebted to a tech mogul). Their bubble of self-assurance is interrupted by an outsider who doesn't quite understand their whole deal, like Ana de Armas's kindhearted first-gen immigrant in the inaugural film and Janelle Monáe's vengeance-seeking twin sister in the second."
Daniel Craig's Benoit Blanc arrives about 40 minutes into Wake Up Dead Man, a third Knives Out installment that many consider the strongest. The film shifts from topical satire to a critique of 'asshole Christians,' clergy who weaponize faith toward hate and division rather than charity. The plot follows an insular, self-assured group disrupted by an outsider whose arrival coincides with a murder; the newcomer becomes a prime suspect until Blanc intervenes. The franchise continues to center working-class protagonists—nurses, teachers—emphasizing community inclusivity versus exclusion. The film is visually striking, ideologically inquisitive, and available to stream on Netflix.
Read at Vulture
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