"Sometimes I'll drive for three hours and completely forget myself. Your surroundings affect what you make. That's especially true for Pálmason, an auteur who frequently shoots in Iceland with family members and even, in 2019's A White, White Day, his own house."
"I make personal films, but I'm not trying to mirror my own life. I use my emotions. We started the film in 2017, and your life seeps into it. To my surprise, Pálmason didn't go through a separation himself, yet creates deeply emotional narratives."
"I had a feeling when we finished Godland that the next film would be very free, crazy, funny, contemporary and warm. And it became that. The Love That Remains represents a deliberate shift toward lighter, more humorous storytelling compared to previous darker works."
Hlynur Pálmason, a 41-year-old Icelandic filmmaker, uses nature and personal surroundings as creative inspiration, often imagining entire films during long drives. His latest work, The Love That Remains, depicts an Icelandic couple, Anna and Magn, navigating separation against Iceland's cold southern landscapes. The film features Pálmason's own children as the couple's kids and his dog Panda, reflecting his practice of shooting with family members and personal locations. Though not autobiographical, Pálmason infuses the film with genuine emotions and life experiences. The Love That Remains balances comedic moments with family drama, representing a shift toward warmth and contemporary humor compared to his previous film Godland, a darker period piece about a Danish priest in 19th-century Iceland.
#icelandic-cinema #family-drama #separation-and-relationships #auteur-filmmaking #contemporary-comedy
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