"The Bride! is a strange metatextual ghost story, a science-fiction horror sequel, and a 1920s mob thriller all in one. It's a hodgepodge of wild ideas and huge swings, and you kind of have to admire it for that. But it's also a huge tonal and stylistic mess."
"The Bride opens with an eerie monologue from Mary Shelley herself (Jessie Buckley), as she mourns how her demise prevented her from producing a sequel to Frankenstein. But trapped in a strange purgatory, Shelley discovers that she can act out this sequel herself, by possessing the body of a 1920s moll, Ida."
"What if Frankenstein's Monster and the Bride were Bonnie and Clyde? It's a fun premise that doesn't have as much longevity as you think."
The Bride of Frankenstein features Elsa Lancaster's iconic bride for only five minutes, yet her image profoundly influences pop culture through numerous reimaginings. Maggie Gyllenhaal's The Bride! presents a radical reinterpretation combining multiple genres: a metatextual ghost story with Mary Shelley narrating from purgatory, a science-fiction horror sequel, and a 1920s mob thriller. The film opens with Shelley possessing a 1920s moll named Ida after her murder by Chicago gangsters, while Frankenstein's monster, now called Frank, seeks a mate from Dr. Euphronius. Frank and Euphronius revive Ida's body, creating a Bonnie and Clyde-style premise. Despite ambitious genre-blending and creative swings, the film suffers from significant tonal and stylistic inconsistencies.
Read at Inverse
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