Minnie Slocombe operates a 1940s carbon arc projector at the Roxie Theater, the only San Francisco venue still using this technology. She finds joy in the tactile experience of 35mm film, contrasting it with digital projection. The Roxie recently secured its building for $5 million, a milestone in its fundraising efforts. As digital formats dominate, the supply of crucial carbon rods is dwindling, sourced from Indonesia, and the projectors may need to switch to simpler, but less vibrant, bulb systems.
The Roxie, founded in 1913, is the only theater in San Francisco still projecting film on a carbon arc system, requiring constant attention from projectionists.
Minnie Slocombe describes working in the projection booth as feeling like 'a submarine' due to the heat and isolation, comparing it to Nicolas Cage in 'Moonstruck'.
The theater announced it had bought its building for $5 million, marking a significant achievement in its fundraising campaign, securing a 'forever home'.
Sourcing carbon rods for the projectors has become increasingly difficult, with the last supply coming from a small supplier in Indonesia as digital projection takes over.
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