"Keith Jarrett is an American jazz pianist and composer renowned for his virtuosic improvisational performances, most famously the one that flowed through his fingers at the Opera House in Cologne on the night of January 24, 1975 - the recording of which remains the best-selling solo album in the history of jazz and piano. By flouting all conventions in the face of rock and roll and making a mellifluous spectacle of the music that moved through his body like a thought from God,"
"By contrast, Ido Fluk's "Köln 75" - a passable "we're putting on a show!" movie about the mad scramble to stage "The Köln Concert" - is the kind of lightly amusing pop confection that starts with a "freeze frame, record scratch, 'you're probably wondering how I got here'" moment before hitting a million different beats that are designed to feel pre-digested and familiar. Sex! Rebellion! Daddy issues! A terse road trip where the tension between two people gives way to mutual respect!"
Keith Jarrett is presented as a virtuosic jazz pianist whose 1975 Cologne performance produced the best-selling solo jazz and piano album. Jarrett rejected self-mythology and resisted involvement with a dramatized film of that concert. Ido Fluk's Köln 75 is described as a pop confection that relies on familiar, pre-digested beats and conventional tropes such as sex, rebellion, and family conflict. The film stages a hectic scramble to mount the Köln Concert and favors crowd-pleasing storytelling over formal innovation. The narrative ultimately foregrounds 18-year-old Vera Brandes as the emotional and dramatic center, with Michael Chernus playing a composited character.
Read at IndieWire
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