"I was saying to Josh, He's not getting angry with me, he's not getting angry with me.' But it turned out the unnamed extra had been paying attention. Chalamet added: I did another take, and then the guy said, I was just in jail for 30 years. You really don't want to fuck with me. You don't want to see me angry.' I said to Josh, Holy shit, who do you have me opposite, man?'"
"One Battle After Another has marquee names aplenty Leonardo DiCaprio, Sean Penn, Benicio Del Toro, Teyana Taylor but also a striking cameo by James Raterman, a retired Secret Service and Department of Homeland Security Investigations special agent. Raterman was spotted by Anderson after taking part in The Trade, a documentary series about the opioid crisis and human trafficking. Despite his lack of acting experience, he threw himself wholly into the role of Colonel Danvers."
Timothée Chalamet pursued realism on Marty Supreme by provoking an unnamed extra whose lived experience produced an unplanned, intense reaction. Josh Safdie cast several non-actors in Marty Supreme, a fictionalised homage to mid-20th-century table tennis player Marty Reisman. Paul Thomas Anderson similarly used people without prior acting experience in One Battle After Another, combining marquee stars with real-world figures. The casting approach prioritises authenticity rooted in lived experience and physical presence over theatrical technique. The practice traces back to early Soviet cinema and Italian neorealism and appears in varied modern examples, including documentary recruits and unexpected cameos.
Read at www.theguardian.com
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