"At the very moment most theaters were transitioning to digital-only projection, Anderson incited a wave of celluloid fetishism that led to 70mm and 35mm releases of movies by Quentin Tarantino ("The Hateful Eight," "Once Upon a Time in Hollywood"), Brady Corbet ("The Brutalist") and Christopher Nolan, with Nolan doubling down on the pleasures of large format film with IMAX 70mm presentations of films like "Interstellar" and " Oppenheimer.""
"As IndieWire detailed in an earlier article (one you can look to for an explanation of exactly what VistaVision is and how it works), VistaVision and 70mm are just two of several formats audiences can choose from when seeing "One Battle After Another." There are also digital IMAX, IMAX 70mm, and 4DX versions circulating, along with DCPs presented in both standard and premium (like Dolby Cinema) iterations."
Paul Thomas Anderson shot and is projecting his latest film, One Battle After Another, in VistaVision, a format not used for a major studio release since Marlon Brando's One Eyed Jacks over 60 years ago. The film is also being shown in multiple formats, including VistaVision prints, 5-perf 70mm blow-ups, IMAX 70mm, digital IMAX, 4DX, and DCPs in both standard and premium presentations. Warner Bros. retrofitted four cinemas so VistaVision prints could be struck directly from the original negative. Earlier 70mm enthusiasm, sparked by Anderson's The Master, encouraged other directors to embrace large-format film.
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