Ebony & Ivory review definitely not Paul McCartney and Stevie Wonder in silly, surreal indie comedy
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Ebony & Ivory review  definitely not Paul McCartney and Stevie Wonder in silly, surreal indie comedy
"Jim Hosking is the wacky deadpan surrealist of indie cinema who has now created another bizarre stoner comedy, a two-hander and a bit lower budget than his earlier works such as The Greasy Strangler and An Evening With Beverly Luff Linn. It is like an epic-length Mitchell and Webb sketch in fact, the kind of film you find yourself laughing along to, just a bit, in a spirit of throwing in the towel"
"The setting is Mull of Kintyre in 1981, and a pop star called Paul, with a strangely familiar but also entirely ersatz Liverpool accent, is welcoming a visitor, who arrives implausibly by rowing boat through the choppy grey sea. This is a blind Black pop legend called Stevie, who appears nonetheless to be able to see (and derisively imitate) Paul's quirkiest mannerism whenever he gives it: a perky thumbs-up."
A wacky deadpan surrealist indie stoner comedy uses a low-budget two-hander format that evokes an epic-length sketch and delivers reluctant laughter through mugging and exaggerated gestures. Set in Mull of Kintyre in 1981, a faux-Liverpool pop star named Paul welcomes a visitor who arrives by rowing boat: a blind Black pop legend called Stevie who nevertheless mirrors Paul's quirky thumbs-up. Their conversations alternate wariness, hostility, and tentative tolerance as they share tea, whisky, and a doobie. The pair embark on peculiar adventures—icy swims, dressing as sheep, and surreal antics—without ever actually composing the promised pro-harmony pop single.
Read at www.theguardian.com
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