"Daggers Inn is muddled, but landmark cinema in certain respects. Finally, the UK has a film to rival the 2003 US indie The Room, which still plays to packed houses, with audiences eternally thrilled by its hilarious creative choices and uneven performances. Daggers Inn is similarly ripe, not in the calculatedly trashy manner of a Sharknado film, but in the sense of amateurs' original, sincere but almost entirely unsuccessful efforts."
"There is a weird fascination to watching it play out, because of various production peculiarities, including several strangely blocked scenes in which actors essay entire dialogue exchanges standing next to one another while looking vaguely in the same direction rather than at each other. The dialogue veers between an imagining of how, for instance, businesspeople talk, and lines intended as savage zingers."
"There is a funny fight to the death during which a character is lightly waltzed into the side of a tree, killing them instantly. This isn't action-packed, it's not intriguing as a mystery, and there's no momentum."
Daggers Inn follows a mysterious woman with supernatural abilities who arrives in a sinister village to investigate her sister's death, which was orchestrated by the local business community through an assassin named Shark. The film is characterized by muddled storytelling and peculiar production choices, including strangely blocked scenes where actors stand beside each other without making eye contact during dialogue exchanges. The dialogue oscillates between awkward attempts at naturalistic businessperson speech and intended zingers. Notable moments include absurdly violent scenes, such as a character being lightly waltzed into a tree fatally. The film lacks action, intrigue, and narrative momentum, creating an unintentionally entertaining experience that has garnered cult following status.
Read at www.theguardian.com
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