"Much of the attention to the soundscape of Tron: Ares has been focused on the pulse-pounding score from Nine Inch Nails, which, in terms of the theater experience, rivals the 2010 Daft Punk score for Tron: Legacy. But the sound of Tron is more than just the music. In fact, if there's one thing that makes Ares so special, it's that every element of the soundscape has been meticulously planned and fully integrated with the score."
"It's not just that the sound is very loud. It's actually difficult to make a loud, physical sound without hurting your ears,"
"We do a lot of work to take away the painful sounds and painful frequencies that hurt your ears. Part of that is to make sure there's a lot of different dynamic sounds, and to make it immersive. We use the subwoofer, but not too much."
Tron: Ares delivers an immersive, meticulously integrated soundscape anchored by a pulse-pounding Nine Inch Nails score that rivals previous Tron music. Every element of the soundscape was planned and woven into the score to create a cohesive theatrical experience. Sound designer Tormod Ringnes prioritized removing painful frequencies, using dynamic ranges, and applying subwoofer energy sparingly to achieve physical impact without discomfort. The film received mixes for both IMAX and Dolby Atmos, with Atmos providing a more balanced representation of the design. The production used the franchise sound library while also creating many new, organic sounds.
Read at Inverse
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