"It was the kind of night that reminded New York why it still knows how to throw a party. All Hallows' Eve at the Mansion returned to The Frick for the first time since its renovationa fever dream of lace, legacy, and lavish eccentricity inside one of Fifth Avenue's last true palaces. Forget polite museum whispers; this was a waltz between decadence and delight."
"The crowd came dressed to hauntin sequins, silks, and full Gilded Age fantasy. Feathers met fangs, and tiaras tangled with top hats as champagne flutes clinked beneath The Frick's crystal chandeliers. Somewhere between a Venetian ball and a scene from The Age of Innocence, Dorinda Medley floated through the room like a modern duchessequal parts mischief and majesty. The air smelled faintly of roses, cognac, and good gossip."
"Olivier Cheng's hors d'oeuvres shimmered by candlelight, and the Laduree lounge upstairs turned into a pastel fever dream of pastries and flirtation. Downstairs, guests raided the candy bar like grown-up trick-or-treaters in couture. The scene was absurd, elegant, and irresistibleexactly what Halloween at a mansion should be. Meanwhile, the Frick's legendary collectionVermeer, Whistler, Turnerwatched from the walls, unbothered yet amused, as the living paid their respects in diamonds and disguise."
All Hallows' Eve at the Mansion returned to The Frick after renovation, transforming the Fifth Avenue mansion into a fever dream of lace, legacy, and lavish eccentricity. Guests arrived in sequins, silks, feathers, fangs, tiaras, and top hats, mingling beneath crystal chandeliers while champagne flowed. LOUIS XIII and Champagne Telmont provided historic and effervescent pours. Tarot readers, magicians, DJs called The Muses, and candlelit hors d'oeuvres created an atmosphere of mystery and glamour. Laduree lounge offered pastries and flirtation, while a candy bar tempted grown-up trick-or-treaters in couture. The Frick's collection—Vermeer, Whistler, Turner—observed the revelry from the walls.
Read at www.amny.com
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