A limited edition Lola x Dagne Dover collection pairs travel sets featuring the Dagne Dover Landon Carryall and a travel-size Lola Original Travel Blanket. The blanket measures 40 by 48 inches and uses Oeko-Tex-Standard-100-certified faux fur for plush coverage in cramped seats and protection from cabin chills. The blanket can also function as a throw at home over an accent chair or bench. Each set includes a color-coordinated carryall and a co-branded duster, with monochromatic colorways including Oyster, Dune, Dark Moss, and Onyx. The collection is positioned as a comfortable layering option and a practical travel accessory.
"The Lola Original Travel Blanket measures 40 by 48 inches and is made with the brand's signature Oeko-Tex-Standard-100-certified faux fur (a lot more luxurious than your standard in-flight blanket, we imagine). It should give you just enough coverage to cocoon yourself even in a cramped economy seat, and ward off the chills from the central air. Even on days you're at home, it can easily double as a throw over an accent chair or bench."
"Each blanket and carry-on bag come in a color-coordinated pairing: Choose from creamy Oyster, pale grey Dune, Dark Moss green, and black Onyx colorways. Customers will also receive a co-branded duster with each monochromatic set."
"Contributing editor Yelena Moroz Alpert calls her textured olive-hued Lola Blanket a "fun way to layer" over her Cozey Neptune Sofa Bed. "That's one of the reasons my son snagged it from the couch and is now using it in place of his duvet," she says. "Since this is now his bed blanket, I decided to get my own. I love how the design creates a ripple effect, especially in the Cosmic Sands colorway.""
"The Landon bag is also one of digital features editor Katherine McLaughlin's favorites. "One of Dagne Dover's taglines is 'bags that get it,' and in my humble, professional opinion, there's truly no better way to sum up the products. I own multiple Dagne bags, but my first-the Landon Duffle in medium-has a special place in my heart," McLaughlin says. "I love the near-endless"
Read at Architectural Digest
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