
"In contemporary interiors shaped by speed, productivity, and constant stimulation, seating has largely become passive. It is designed to hold the body while the mind drifts elsewhere. OSOLO challenges this condition. It is not a chair in the conventional sense, but a mindful seating platform, a ritual object that reconsiders how we sit, gather, and occupy space. OSOLO emerges at the meeting point of two ancient cultures: Japanese stillness and Turkish hospitality."
"At the heart of OSOLO is the Japanese understanding of space. In Japanese spatial philosophy, emptiness is not absence. It is present. It allows rooms to breathe, objects to soften, and the mind to quiet. OSOLO reflects this belief through its low-profile form and restrained geometry. It does not dominate the room or impose visual hierarchy. Instead, it steps back, allowing architecture, light, and human presence to come forward."
"Inspired by the Turkish sedir tradition, OSOLO is inherently communal. Unlike single occupancy seating, it invites people to sit side by side, fostering shared presence rather than isolated comfort. In Turkish culture, seating is a social ritual. Stories are exchanged, time is stretched, and hospitality unfolds without urgency. OSOLO carries this spirit forward, existing not as an isolated object but as a platform for connection."
OSOLO is a mindful seating platform and ritual object that reconsiders how people sit, gather, and occupy space. The design merges Japanese stillness and Turkish hospitality, valuing simplicity, spatial awareness, and human connection. The piece embodies Japanese spatial philosophy where emptiness allows rooms to breathe and the mind to quiet, realized through a low-profile form and restrained geometry that avoids dominating the room. OSOLO reveals space, heightens spatial awareness, and invites users to slow down. Drawing from the Turkish sedir tradition, OSOLO encourages side-by-side communal seating, fostering shared presence, stories, stretched time, and hospitality. Hidden storage beneath the seating surface reinterprets the traditional cultural chest.
Read at Yanko Design - Modern Industrial Design News
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