"You don't really need anything from the Gustaf Westman x IKEA collection, but you want it. That's the entire point. In Westman's world, the rulebook gets tossed aside in favor of pure, unapologetic joy. During Paris Fashion Week, his baguette bag felt like an April Fool's prank that somehow made it to market. Now, his collaboration with Sweden's most democratic design brand proves he's deadly serious about reimagining the everyday."
"IKEA 's new 12-piece collection, launching this October, brings Westman's playful aesthetic to the masses. This includes a love letter to the Swedish giant's iconic meatballs-the iconic IKEA staple turning 40 this year. Westman's objects are of the sort that make serving dinner feel like performance art and they perfectly encapsulate the designer's mission to turn everyday moments into experiences you won't forget."
"Elsewhere, a bouncy spiral vase holds flowers with surprising structural support, and candleholders share the same square-and-round geometry as the plates. It's a festive tradition filtered through Westman's signature lens of curvy, sculptural optimism-yes, red and green nods to Christmas, but bubble gum pink and baby blue are injected to challenge the color pairing convention. It's dopamine decor at its finest, designed to spark immediate joy rather than simply fulfill function."
Gustaf Westman partnered with IKEA to create a 12-piece collection launching in October that brings playful, feel-good objects to a mass audience. The collection includes a love letter to IKEA's meatballs for their 40th anniversary, oversized glögg cups with generous saucers for biscuits, and portable rechargeable lanterns that twist into orbital shapes. A bouncy spiral vase provides surprising structural support and candleholders mirror the plates' square-and-round geometry. The palette mixes traditional red and green nods to Christmas with bubble-gum pink and baby blue to subvert color conventions. The pieces prioritize joyful, sculptural form and experiential moments over strict functionality.
Read at Architectural Digest
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