"The couch because I have a thing about couches, I have a couch fetish. I don't have enough rooms for all the couches that I love. To get a couch to be sleek, bold, and super comfortable with minimal lines, that's always a challenge, you know? I love how our couch balanced out, when I finally sat on it it was so, so comfortable. That was something that I was very happy about."
"It's the only house I have in a city, and it's also become my daughter's home in Europe. So what I'm appreciating, which is more about the feeling than anything, is it's a place that's full of artifacts and things that I've acquired through my travels and collecting, where my family has lived, experienced, and put love in. That's the most important thing, of course."
"The first thing you have to find is your concept, whether it's a song or it's a piece of furniture. For this collection, I was thinking about West Coast living and that time of me coming to Los Angeles. Then it's, what do I want to see in this space? What are the forms? What are the tones? I knew I wanted these earth tones-caramels and tans, bone and butterscotch."
A strong affection for couches drives a pursuit of sleek, bold, minimally lined yet super comfortable seating that balances form and comfort. A Paris house serves as a family home and repository of artifacts acquired through travels, valued for feeling and the love and memories shared there rather than possessions. Important people feeling at home and continuing to make memories defines a successful home. Creative practices—music, acting, and design—share a process of starting from nothing and finding a concept. A West Coast living concept informed choices of forms and an earth-tone palette: caramels, tans, bone, and butterscotch, and an organic quality.
Read at Architectural Digest
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