"Inside the futuristic structure, the boundary between interior and exterior dissolves entirely, with fluid arabesques unfolding alongside more angular, architectural lines. The result recalls the work of Kengo Kuma, particularly the house he designed for fashion designer Kenzo Takada, where nature and structure exist in quiet dialogue. The interiors are outfitted with pieces from Homework, Williams's furniture collection, which explores the idea of "10 percent imperfection"—the intentional introduction of small irregularities that leave visible traces of the hand."
"I grew up around water, I'm drawn to it, I build and create my best work close to it. Drophaus is based on a water drop, so if you stand back and take the roof and the ceiling off, it's just a drop. Drophaus is my vision of the future-something that makes sense today or 20 years from now because it's built on function, savoir-faire and real human need. I'm not an architect. I'm a solution builder."
Drophaus takes water and waves as its conceptual foundation, creating a futuristic structure where interior and exterior dissolve and fluid arabesques meet angular architectural lines. The design evokes Kengo Kuma's Kenzo Takada house by placing nature and structure in quiet dialogue. Interiors feature Homework furniture that embraces a "10 percent imperfection" ethos—intentional irregularities that reveal the hand of craft—favoring raw surfaces and sculptural forms. Spaces are treated as living environments that evolve rather than finished objects. Fashion, furniture, and architecture converge into a single creative language rooted in function, savoir-faire, and human need.
Read at Architectural Digest
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