The exhibition on Gustave Caillebotte at the Art Institute of Chicago features a title change from 'Painting Men' to 'Painting His World'. Curator Gloria Groom stated the change was made based on feedback indicating the original title sounded too narrowed. Reactions in Chicago are expected to differ from those in Paris, where critics denounced the show for its perceived American influence, while Los Angeles critics found merit in the themes of virility and fraternity. The contrasting perspectives may reveal more about the cities’ art criticism culture than the exhibition itself.
The title change from 'Painting Men' to 'Painting His World' reflects a more inclusive approach, aiming to attract a broader audience while still honoring Caillebotte's work.
Responses to the show varied dramatically between cities, with Paris critics lambasting the title and theme, while Los Angeles critics found depth in its exploration of virility and fraternity.
Curator Gloria Groom explained the title change came after focus group feedback indicated 'Painting Men' was too narrow and did not capture the exhibition's intent.
Surprising reactions to the show indicated that art critics' responses often reflect their own city's cultural dialogue rather than the exhibition's actual merits.
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