The article critiques Mel Brooks' films, examining his blend of humor that spans from the stone age to the French Revolution. While some segments, like ancient Rome, drag, others, such as the outrageous musical number about Torquemada, stand out. It points out the mixed success of his works, referencing films like The Twelve Chairs, which felt slow despite strong performances, and Life Stinks’ underwhelming box office but moral depth. Brooks’ creativity shines in Silent Movie, showcasing his comedic essence with a unique approach.
Brooks mixes sight gags, dad jokes and Borscht Belt standup in historical vignettes from the stone age to the French Revolution, delivering a mixed bag of comedic results.
In his adaptation of a popular Russian novel, Brooks plays a role filled with shameless hamming, though the film feels ponderous compared to his other works.
Life Stinks, a film about a billionaire's bet to survive on the streets, bombed but showcased Brooks' integrity and humor in addressing serious themes of homelessness.
Silent Movie is a meta-comedy with no dialogue, featuring intertitles and a charming score, showcasing Brooks' creativity while nodding to his own life with a sweet cameo.
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