Review: Thunderbolts*' bends, but doesn't break, the superhero mold
Briefly

In the new Marvel film directed by Jake Schreier, the narrative shifts to a more introspective approach, centering on the anti-heroes known as the Thunderbolts. The film opens with Yelena Belova, played by Florence Pugh, grappling with her past actions and questioning her life’s significance. This psychological depth is complemented by action, featuring less reliance on CGI than previous Marvel entries. The character study includes CIA director Valentina Allegra and her conflicts as she navigates political challenges while orchestrating Yelena's final assignment, which becomes a deadly trap involving other anti-heroes.
This is hardly your standard opening for an MCU film, as it sets an introspective tone for a character-driven narrative involving the Thunderbolts.
Pugh’s performance embodies the hollow inertia of despair, making Yelena's struggle resonate with emotional depth—it's a daring diversion from typical superhero fare.
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