The Kind of Nonfiction That Wins Pulitzers
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The Kind of Nonfiction That Wins Pulitzers
"The juries go for "books that cover social issues in human (almost novelistic) ways," he told me. "These are about serious topics, but approached with literary flair.""
"Jill Lepore, the winner in history for We the People: A History of the U.S. Constitution, grounds sweeping ideas about the evolution of democracy in earthy portraits of the people who fought over them. An excerpt published in The Atlantic begins, "Bushy-browed, pipe-smoking, piano-playing Antonin Scalia-Nino-the scourge of the left, knew how to work a crowd.""
"When the Atlantic staff writer Megan Garber described why Lepore's earlier history These Truths was among the best books of 2018, she wrote: "Who else but Lepore would think to describe James K. Polk as having 'eyes like caverns and hair like smoke'?""
"In a similar vein, the new winner in general nonfiction, Brian Goldstone's There Is No Place for Us, was on our 2025 Atlantic 10 list because it brought to vivid life five families struggling to remain housed-people w"
The Pulitzer Prizes recognize excellence in American journalism, music, drama, and books, with book awards drawing uneven public attention. Fiction often dominates conversation, while poetry and nonfiction categories receive less scrutiny. Looking at history, biography, memoir, and general nonfiction reveals a recurring pattern in jury selections. The selections commonly share an approach that covers social issues through human, almost novelistic storytelling. Serious topics are presented with literary flair. Recent honorees align with this pattern, including Jill Lepore’s history of the U.S. Constitution and Brian Goldstone’s general nonfiction about families struggling to remain housed, both grounded in vivid portraits of people and their conflicts.
Read at The Atlantic
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