The concert conducted by Marin Alsop featured a vibrant program of contemporary works from Mexico, Venezuela, and the United States. Supernatural captivated audiences in the 1990s with freestyle rap, illustrating the connection between improvisation and audience engagement. Gabriela Ortiz's Antrópolis opened the concert with an evocative blend of instruments reminiscent of the late 1950s, despite some execution challenges. Montero’s Piano Concerto No. 1, filled with complex compositions, pushed the boundaries of piano technique but risked losing thematic clarity amidst rhythmically busy sections, demonstrating the balance between technical brilliance and musical coherence.
Supernatural, the freestyle rapper, has a unique style that mesmerizes audiences by transforming their suggestions into intricate and rhythmic rap performances, captivating all present.
Marin Alsop’s concert featured contemporary pieces from Mexico, Venezuela, and the US, showcasing her skill as a conductor and her ability to engage audiences with new works.
Gabriela Ortiz's Antrópolis evoked a 1950s vibe with a unique blend of instruments, even with some timing issues, it proved to be a crowd favorite.
Montero's Piano Concerto No. 1 is intricate but perhaps overstuffed, highlighting technique while obscuring the underlying melody and intent in its complex arrangements.
Collection
[
|
...
]