
"Across his work, the horn appears as a recurring instrument, a flared tube that gathers sound at one end and releases it at the other. While its function is technical, in Suzuki's hands it becomes social in order to carry voices across space and turn sound into a shared experience. The horn acts as a connector, a device that closes distance and brings people together through interaction, resonance and exchange."
"The London-based artist and designer develops this approach through playful, interactive installations that unfold in public space. Working across airports, parks, plazas and museum forecourts in cities including Bangkok, Berlin, Shanghai, San Francisco and Singapore, his practice consistently centers on participation and collective use. Using materials such as powder-coated steel, aluminum and electronic components, Suzuki constructs sculptural systems that invite people to engage with one another."
"To hear the parabolic dish at its clearest, viewers have to find the exact spot, meaning they have to move, explore, adjust their position. It isn't a passive listening experience, but a physical interaction with the sculpture, encouraging viewers to be active if they want to experience the experience."
Yuri Suzuki creates sound sculptures that transform listening into a collective, social experience. The horn serves as his signature element—a technical device that becomes social by gathering and projecting sound across space. His interactive installations appear in public spaces across major cities, using materials like steel, aluminum, and electronic components to invite participation and shared engagement. These sculptural systems allow sound to emerge as evidence of collective presence, reimagining how communities form through lived, audible encounters rather than fixed ideals. His work emphasizes active participation, requiring viewers to physically engage with sculptures to fully experience them, turning passive listening into dynamic interaction.
Read at designboom | architecture & design magazine
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