Alexander Whitley, The Rite of Spring/Mirror Review
Briefly

Alexander Whitley, The Rite of Spring/Mirror Review
"All this to say that Alexander Whitley can harness the technology that so fascinates him, and equally importantly, that he fully understands, to enhance his primary vocation as a dance maker and produce bewitching work. Unfortunately, Mirror, and its companion piece The Rite of Spring, in the brand new double bill currently at Sadler's Wells East, proved major disappointments."
"A piece for two human dancers - Gabriel Ciulli and Daisy Dancer - and a variety of AI figures projected onto a downstage scrim and a screen at the back, it purports "to examine the risks that AI poses to human relationships when we form attachments to its reflections and mistake them for something deeper than they are.""
Alexander Whitley, a choreographer known for innovative science-inspired works, created Mirror, a piece examining how AI attachments might threaten human relationships. The work features two human dancers, Gabriel Ciulli and Daisy Dancer, performing behind a scrim alongside projected AI figures. Despite Whitley's previous success integrating virtual reality with dance—notably in Celestial Motion II—Mirror and its companion piece The Rite of Spring at Sadler's Wells East prove disappointing. The production uses minimal lighting, neon columns, and monochromatic costumes, but fails to effectively explore its stated theme about mistaking AI reflections for genuine connection.
Read at London Unattached
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