The article traces the evolution of radiophonic art, a genre defined as 'radio made by artists.' It highlights early experiments in radio drama, beginning with post-WWI avant-garde playwrights who manipulated sounds using emerging technology. Landmark works from pioneers like Hans Flesch, Walter Ruttmann, and Pierre Schaeffer illustrate the development of sound as an art form, culminating in a rich variety of experimental broadcasts. Delia Derbyshire’s work in the 1960s signifies a turning point, demonstrating how tape machines could permanently alter sound perception in creative endeavors.
Delia Derbyshire, a pioneer of electronic music, showed how tape machines could transform sound in 1965, influencing the future of radiophonic art.
Radiophonic art merges sound composition and production to experiment with broadcasting, building on a rich history from surrealism to modern experimental forms.
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