"For more than seven decades, Agam has redefined what it means to see. His work asks not for passive observation, but for participation. To stand before an Agam piece is to experience the hum of transformationto watch color, geometry, and spirit shift before your eyes as if light itself were alive. The effect is both hypnotic and deeply human: the reminder that progress, like faith, is only visible when we move."
"Born in 1928 in Rishon LeZion, Israel, to an Orthodox family, Agam's earliest relationship with imagery was one of reverence and restraint. The Jewish commandment against graven images instilled in him a fascination with the unseen. His education at the Bezalel Academy of Art and Design in Jerusalem and later studies in Zurich under Johannes Itten and Max Bill grounded him in color theory and European modernism."
"Renowned critic Sigfried Giedion, who taught him at ETH Zurich, became a key influence, urging Agam to transcend the static. In life, you look at art and it doesn't change, Agam later said. But everything changes. You have to go beyond the visible. That single ideabeyond the visiblewould define the entirety of his career. By 1951, Agam had moved to Paris, where the art world was still reeling from the aftermath of Cubism and the emergence of abstraction."
Yaacov Agam engineered movement, perception, and time into kinetic artworks that demand active viewer participation. His pieces transform color, geometry, and spirit as viewers move, producing hypnotic and human effects. Born in 1928 in Rishon LeZion to an Orthodox family, his early relationship with imagery was shaped by reverence and the Jewish commandment against graven images. Training at the Bezalel Academy and later in Zurich under Johannes Itten and Max Bill grounded his practice in color theory and European modernism. A philosophy emerged that merged Kabbalistic metaphysics with Bauhaus discipline and sought to go beyond the visible.
Read at www.amny.com
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