The radiance of tomorrow: Douriean Fletcher and the Jewelry of the Afrofuture at MAD | amNewYork
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The radiance of tomorrow: Douriean Fletcher and the Jewelry of the Afrofuture at MAD | amNewYork
"Afrofuturism has always been more than an artistic movement; it is a reclamation of destinya philosophy that wields beauty as both weapon and liberation. It is the re-centering of Black identity not at the periphery of history, but at its pulse point, fusing ancestral memory with celestial imagination. In this spirit, the Museum of Arts and Design hosted an extraordinary luncheon honoring Douriean Fletcher: Jewelry of the Afrofuturea gathering that transcended ceremony to become an act of cultural sovereignty."
"Fletcher's creations do not adorn; they activate. They transform adornment into empowerment, history into horizon, and remind us that the future, when rendered through Black brilliance, gleams brighter than gold. At the head of this exquisite afternoon sat artist Douriean Fletcher, flanked by MAD Senior Curator Barbara Paris Gifford and co-curator Sebastian Grant, whose dialogue illuminated Fletcher's singular role as both artisan and futurist."
"As Gifford noted, Douriean is the very first jeweler to be recognized by the Motion Picture Costumer Uniona rare and deserved distinction. When we watch a film, we know the director, the designer, the starbut rarely the maker whose hands translate mythology into metal. Fletcher, with the gravity of someone who understands legacy, replied, Afrofuturism means putting me, or one who identifies as Black or African, in the middle of their own story."
Afrofuturism is framed as a reclamation of destiny and a philosophy that wields beauty as weapon and liberation. The Museum of Arts and Design hosted a luncheon honoring Douriean Fletcher and her Jewelry of the Afrofuture, presenting the event as an act of cultural sovereignty. Luminaries of art, design, and philanthropy gathered beneath crystal to witness Fletcher’s mythmaking in metal and stone. Her creations are described as activating rather than merely adorning, transforming adornment into empowerment and history into horizon. Fletcher was acknowledged as the first jeweler recognized by the Motion Picture Costumer Union. She defines Afrofuturism as centering Black people in their own stories.
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