"The Leslie-Lohman, the first institution of its kind in the world, has recently become a haven for the elevation and preservation of art by and for an 'us' that has been subject to unrelenting and escalating political attacks."
"The piece is called 'No Resurrection.' We are no longer in urgent care. We are at the burial plot, improvising a collective wordless ritual for grief."
"As the crowd begins to mix and mingle, awaiting the reading to follow, I notice that two people are sinking their hands in the soil. There is no resurrection, but there is this improvised ceremony that exhumes the dead."
The Leslie-Lohman Museum serves as a vital space for the queer community, showcasing art that reflects their experiences and struggles. During an event featuring Pamela Sneed and Carlos Martiel, themes of grief and resilience were explored through performance art. Martiel's piece, 'No Resurrection,' symbolizes collective mourning and the impact of violence on marginalized communities. The museum's commitment to preserving and elevating queer art is crucial in the face of ongoing political attacks against these identities.
Read at Hyperallergic
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