The Carnegie International Looks Back at Itself
Briefly

The Carnegie International Looks Back at Itself
"Chris Ofili's 'The Holy Virgin Mary' became a focal point in the culture wars, provoking outrage from figures like Mayor Rudy Giuliani and Cardinal O'Connor, who deemed it a desecration of religion."
"'The Adoration of Captain Shit and the Legend of the Black Stars' features a Blaxploitation character and continues Ofili's cheeky approach, using dried elephant dung to support the canvas."
The 58th iteration of the exhibition captures the excitement of earlier shows while providing vital commentary on authoritarianism and militarism. It references the landmark exhibition Sensation, which featured Chris Ofili's controversial works. Ofili's 'The Holy Virgin Mary' and 'The Adoration of Captain Shit and the Legend of the Black Stars' exemplify the provocative nature of his art. These pieces, which incorporate elements like dried elephant dung, challenge societal norms and provoke strong reactions from the public and critics alike.
Read at Hyperallergic
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