Queer Figures Commune with Nature in J Carino's Dynamic Paintings

Color is treated as heightened reality through palettes shaped by a dynamic balance of earth tones and jewel tones. Lush scenes show nude figures communing with nature, including bodies framed by meadows, fallen trees, animals, and floodwaters. Gestural brushstrokes and blocks of color build dense compositions that challenge ideas of what is natural and innate. Queer life is central, with bodies layered alongside organic motifs. Source materials range from live model renderings and self videos to nature studies and plein air pastel drawings that often guide color choices. Work begins with observation of nature, followed by drawing and research into historical and cultural symbols, while connections emerge during making. Motifs form a personal language that weaves desire, paradise, and queerness into collage-like narratives, often emphasizing beauty and resilience.

"“Color, for me, is a heightened reality,” says J Carino. Through palettes rooted in a dynamic dance between earth and jewel tones, the artist renders lush scenes in which nude figures commune with nature. A sturdy back buttresses a fallen tree, chests and limbs peek through a summer meadow, and a muscular grip cradles a small mule amid a raging flood. Blocks of color and gestural brushstrokes characterize each composition, which question what we deem natural and innate."

"“Typically, my work begins with observation of nature. It might be a fallen tree, a particular animal or plant that I then make drawings of,” he adds. Researching the historical and cultural symbols associated with these organic forms follows, while allowing connections between objects and motifs to emerge spontaneously as he works. “I see patterns as a kind of personal language to symbolize larger concepts and themes that I can then weave together into different narratives,” the artist tells Colossal. “There is a collage-like aesthetic to my work that reflects these different pieces coming together.”"

"The intimacies of queer life figure prominently in Carino's work, which layers bodies and organic motifs into dense expanses. He employs a variety of source materials that range from renderings of live models and videos of himself to nature studies and plein air drawings in pastels, the latter of which often inform his color palettes. From biblical floods to determined donkeys to autumnal leaves, the elements that comprise Carino's paintings touch on questions of desire, paradise, and queerness through human connection to the natural world."

"Even when disaster strikes, there's an overwhelming sense of beauty and resilience, bolstered by both physical strength and deep bonds with one another. Carino recently relocated to London, and he will start a master's program at the Royal College of Art this fall. If you're in Los Angeles, his work will be part of a group exh"

Read at Colossal