""You see the pieces not as a fixed composition but as raw elements searching for harmony. Deconstructing and reassembling them allows for catharsis: the artwork is both undone and remade, and your perception shifts with it," shares Peter."
""I'd deliberately undermine the visual by pairing it with something jarring, like heavy horns and bass over a delicate palette," says Peter. "With 100 works, I had room to test how sound could reinforce or confound how you experience the Image.""
Works reference teletext and primitive pixel displays, using pixelated blocks that blur and bleed like old cathode ray tubes. The pieces are dismantled and allowed to fall apart, revealing core motifs such as patterns, stripes, checkers, symmetry and repetition. Deconstruction and reassembly function as catharsis, making artworks undone and remade while shifting perception. Sound design was added later, using endearing MIDI horns, chimes and synths to emphasise deconstruction. Interactions between works create collaborative musical elements that contrast with visual disharmony. Deliberate pairing of jarring heavy horns and bass with a delicate visual palette tests how sound can reinforce or confound experience, creating charming, contained chaos.
Read at Itsnicethat
Unable to calculate read time
Collection
[
|
...
]