Korean artists are increasingly recognized in the global art world as contemporary and conceptual art gains traction. Haegue Yang emphasizes the long-standing presence of great artists in Korea, while curator Jiwon Lee notes the rise of Korean popular culture, enhancing global awareness. Clara Kim reports a growing excitement and interest in Korean art, particularly in the US, demonstrating a shift from curator-led audiences to wider public participation. The evolution fosters commercial buzz, but the complexity of Korean art defies easy branding as 'K-art', transcending traditional categorizations.
Korean culture has managed to make its mark within the general public's global map.
There are great artists in Korea. There always have been, regardless of political, social, or cultural circumstances.
The buzz around Korean art has evolved, with greater public interest compared to 20 years ago.
It was encouraging to see Frieze Seoul evolving, though not all changes may be positive.
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