Khaled Sabsabi was removed as the Venice Biennale’s Australian pavilion artist, then reinstated after public backlash and an independent review. A conversation with Aruna D’Souza covered migration trauma, a 132-foot-long work that came to him in a dream, and Sufi teachings shaping two Venice works. One work appeared in Koyo Kouoh’s In Minor Keys. Other coverage included Betye Saar’s Black dolls at the New York Historical and Larissa Borteh’s canvases. A study claimed engaging with art and cultural heritage can add years to life.
Read at Hyperallergic
Unable to calculate read time
Collection
[
|
...
]