"Japan has long been associated with a rich culture of craft, with many practices such as urushi (lacquerware) and metalwork being passed down through generations, often as the result of strict apprenticeships. However, in the 1920s, the mingei (folk craft) movement drew attention to the beauty of handcrafted, utilitarian objects. Integral to this philosophy was the perceived anonymity of the craftspeople - the emphasis being on the item rather than its maker."
"Japan House London leans fully into that philosophy: around 120 pieces are displayed here with nothing more than a material label and a date. No biographies. No backstories. Just objects. For anyone who visits exhibitions not only to look but to learn, it's a mildly maddening experience - admiring something exquisite while being denied any deeper context. But that, of course, is the mingei way."
Hyakkō: 100+ Makers from Japan presents over 120 pieces of Japanese handmade craft on a static sushi conveyor in central London. The display emphasizes mingei philosophy by labeling items only with material and date, omitting biographies and backstories to foreground the objects. The collection includes woodwork, metalwork, leatherwork and ceramics, from tiny pots to plates, incense holders, light fittings and a metal chair. Many works embrace irregular, imperfect forms derived from nature rather than machine uniformity. The layout encourages slow, contemplative appreciation, and selected pieces are available for purchase upstairs.
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