
"A selection of Navajo textiles from the collection of minimalist icon Frank Stella is being made available to collectors. After gatecrashing the art world with his Black Paintings as a young 20-something, Stella began building his personal collection in the mid-to-late 1960s. He was introduced to the world of Navajo art through Donald Judd, who had taken him to meet Tony Berlant, a Los Angeles-based artist with a growing collection of blankets and weavings. There, they traded a work of their own for a blanket."
"Berlant would duly supply the likes of Jasper Johns, Robert Rauschenberg, and Tony Smith as well as co-organize "The Navajo Blanket," a seminal 1972 exhibition at the Los Angeles County Museum of Art that offered the textiles as art works rather than mere ethnographic artifacts. One of the works that Stella lent for the touring exhibition-a large, loosely woven 19th-century blanket-will be on show at Arader Galleries on New York's Upper East Side later this month, as the late artist's collection, which he lived with and amassed over the course of decades, is put up for sale."
"All 55 textiles in Stella's trove will be on view, marking the first time his collection is shown in full. Priced at between $6,500 and $25,000 each, the works will later travel to Peter Pap Rugs in Dublin, New Hampshire, for a showing in June. Stella's textiles largely date from the late 19th and early 20th century. The period saw the Diné women responsible for Navajo weaving express individual artistic freedom through new colors and untested design combinations."
"By the late 1800s, new synthetic dyes made from the byproducts of coal and oil were pouring into the American southwest and the weavers began experimenting with new color combinations that led to optical illusions and abstract designs. Known as Transitional Era weavings, they have generally been overlooked by academics in favor of earlier Classical period work (1800 to 1885), and later Trading Post work (c. 1895"
A collection of Navajo textiles from Frank Stella is being made available to collectors. Stella began assembling the collection in the mid-to-late 1960s after being introduced to Navajo art through Donald Judd and Tony Berlant, who supplied blankets and weavings and helped shape their presentation as art. Berlant co-organized “The Navajo Blanket,” a 1972 exhibition at the Los Angeles County Museum of Art that treated textiles as artworks rather than ethnographic artifacts. A large 19th-century blanket lent for a touring exhibition will be shown at Arader Galleries, with all 55 textiles displayed for the first time. The textiles date mainly from the late 19th and early 20th centuries, when Diné weavers used synthetic dyes to create Transitional Era designs and optical effects.
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