Tomashi Jackson, while studying for her MFA at Yale, discovered parallels between color theory and American discussions of race. She found that foundational texts described color similarly to how race is conveyed, noting an element of compulsion and discomfort. This realization arose during her exploration of broader societal structures, including education and public space, which informed her artistic practice. Her mid-career survey, "Across the Universe," showcases her vibrant works that intertwine texture, abstract expressionism, and urban muralism, reflecting an enduring journey with color.
I was seeing a lot of similarities in the way color phenomena is described as compulsory, as against one's will, and potentially discomforting or panic-inducing.
These insights into color theory occurred within larger explorations Jackson was making at the time into what she called the machinery that was surrounding me.
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