"Staging the umpteenth production of Cabaret is hardly the same as Arthur Miller writing The Crucible to rebuke the Red Scare. It sucks that we only got a one-off show about Luigi Mangione because established companies don't want to draw direct connections between themselves and the headlines we all read each day."
"What good are we if we piss off the wrong people and get shut down? You'd be goddamn artists, that's what. You like the label, live up to it. Give people a voice in this trying time rather than just creating wallpaper to be ignored."
"The play is about a fired DEI rep returning to Missouri to deal with her complex family history. Since last year's DOGE-ification of the US government, I think we all know fired DEI reps these days."
"What I'm sayin' is that it sounds like Pierce picked a helluva time to write a play about American racism."
Many theatre companies fail to engage with current societal issues, opting instead for familiar productions. A notable exception is Awesome Theatre's upcoming play by Rebecca Pierce, which tackles themes of race and family history. The play reflects on the complexities of contemporary American racism, highlighting the disparity in societal priorities regarding reparations and historical injustices. This timely narrative resonates with ongoing discussions about race in America, emphasizing the need for artists to confront uncomfortable truths rather than shy away from them.
Read at 48 hills
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