discarded polypropylene nets reshape into permeable functional sculptures by iranzo

"Iranzo's project Permanent Souls examines how discarded materials can be transformed into functional sculptures that exist between visibility and absence. The work uses polypropylene nets, originally sourced from sports and construction contexts, and combines them with epoxy resin to create lightweight, permeable structures. The design process emphasizes handcraft and material specificity. Each piece is produced through an artisanal method that preserves the distinct qualities of the nets while stabilizing them in new forms."

"Formally, the sculptures suggest functionality without prescribing it. Their lightness, transparency, and suspended geometries allow for multiple readings, whether as objects to be engaged with physically or as structures that simply frame space and perception. Through this process, artist Iranzo's project considers the persistence of material beyond its initial purpose. Permanent Souls highlights the transformation of everyday industrial remnants into sculptural forms that carry both structural and conceptual weight, positioning them at the threshold between memory, use, and abstraction."

"Permanent Souls by Iranzo explores material transformation discarded polypropylene nets become sculptural forms epoxy resin stabilizes the nets into permeable structures lightweight and transparent, the pieces blur form and function traces of previous use remain visible in the finished works the sculptures suggest utility without enforcing it functionality merges with abstraction in the design transparency and lightness define the structures' visual presence nets sourced from sports and construction contexts find new life industrial waste is reframed as structural"

Permanent Souls transforms discarded polypropylene nets into lightweight, permeable sculptural structures stabilized with epoxy resin. The process emphasizes handcraft and material specificity, preserving the distinct qualities of the nets while stabilizing them into new forms. Finished pieces retain visible traces of prior use yet are reconfigured into objects that suggest utility without prescribing function. The works’ lightness, transparency, and suspended geometries invite multiple readings as items to engage with physically or as structures that frame space and perception. Industrial remnants are reframed as structural, conceptual elements positioned between memory, use, and abstraction.

Read at designboom | architecture & design magazine