"The exhibition moves without hierarchy, where a beaded plant, a low table, and a fur-covered creature occupy the same space, each following its own internal logic."
"Several of the Haas Brothers' works begin from familiar typologies and shift them through small adjustments, altering how the object is encountered and moving attention toward presence."
"The Accretion works build surfaces through repeated applications that echo patterns found in coral, fungus, and mineral growth, creating a tactile experience."
The Uncanny Valley exhibition at the Museum of Arts and Design features eighty-five works that present objects as active presences within a dreamlike reality. The installation includes various forms such as sculpture, furniture, and digital work, creating a continuous environment without hierarchy. The works reflect Object-Oriented Ontology, treating all objects as equally present. The Haas Brothers' designs shift familiar typologies, emphasizing empathy and presence over function. Process-driven works echo natural patterns, creating dense, tactile fields that engage viewers through their unique forms and interactions.
Read at designboom | architecture & design magazine
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