A woman is intently watching ... well, something ... from a box seat in a theater-presumably but not definitively a performance.
There's an intense, borderline uncomfortable intimacy in looking at In The Loge, because she definitely doesn't know the viewer is there.
The painting captures the tension between public and private observation, raising questions about personal privacy boundaries.
The writer relates personally to the painting, seeing reflections of their own avid theatergoing habits and comfort in attending shows alone.
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