In reaction to the fast-moving creation of the film, Lanthimos embraced the opportunity to use a large-format camera to make these images, focusing on stillness, tonality and light. Each picture provided him with a meditative time of focus.
The creative process extended to collaboration with Emma Stone. They developed negatives together in Budapest, creating a creative outlet beyond the film's constraints.
The photographs drift between black and white, creating a dream-like impression. Emma Stone was amazed by the large format and learning to process negatives, becoming obsessed with the process.
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